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While their biggest rival strove to be more “cinematic” with very creative takes on science and geography subjects to make them as entertaining for students as possible, the 1950s and 1960s Coronet films often had a dry, lecture-like tone to their commentary.

However, there were some well-made travelogues, boasting good cinematography, in addition to an annual quota of animal-interest topics.

While the scenes in this film may seem mild compared to R-rated movies today, it was censored in many areas of the US. It mixes scenes played out by actors with real-life footage of psychologists explaining sex to people who are mentally disabled or, as this movie calls them, “trainables.” The famous Ricky scene is an example of what can happen when raising a mentally disabled child.

Created in 1975, this sexual education video is the source of the “It felt good, didn’t it, Ricky? The mother’s lines are meant to be a suggestion of what parents can say if they find their disabled child masturbating.

It’s the plaintive cry of every young person: “I’m bored!

” Ken doesn’t know what to do with himself when he has free time.

The movie was created by husband-and-wife team Hildegarde and Dwaine Esper.

It was considered to be one of the very first sexual exploitation films.

Coronet was still very active during the 1973-4 school year, when it placed over 60 titles for evaluation with Project METRO of the Capitol Region Education Council (CREC), in central Connecticut.

In the beginning of the film, the title card suggests that women need to learn how to undress in a sensual way to keep the interest of their husbands and fend off boredom during marriage.

The movie gives examples of two real-life women coming home from a party: Elaine Barrie Barrymore, a Hollywood and Broadway actress, and Trixie Friganza, an opera singer and comedian.

Shannon Quinn is a writer and entrepreneur from the Philadelphia area.

Coronet Films (also known as Coronet Instructional Media Inc.) was a leading producer and distributor of many American documentary shorts shown in public schools, mostly in the 16mm format, from the 1940s through the 1980s (when the videocassette recorder replaced the motion picture projector as the key audio-visual aid).

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