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I couldn't bear to watch him shiver, so I put my arms around him there in the dark and rocked him like a baby until he calmed down.

The next night was the same, and the next, and I rocked him each time.

(1977), Greased Lightning (1977), Blue Collar (1978), and The Muppet Movie (1979).

Pryor signed with the comedy-oriented independent record label Laff Records in 1970, and in 1971 recorded his second album, Craps (After Hours).

On one of his first nights, he opened for singer and pianist Nina Simone at New York's Village Gate.

Simone recalls Pryor's bout of performance anxiety: He shook like he had malaria, he was so nervous.

In September 1967, Pryor had what he described in his autobiography Pryor Convictions (1995) as an "epiphany".

The first five tracks on the 2005 compilation CD Evolution/Revolution: The Early Years (1966–1974), recorded in 19, capture Pryor in this period.Two years later, the relatively unknown comedian appeared in the documentary Wattstax (1972), wherein he riffed on the tragic-comic absurdities of race relations in Watts and the nation.Not long afterward, Pryor sought a deal with a larger label, and he signed with Stax Records in 1973.Pryor's body of work includes the concert movies and recordings: Richard Pryor: Live & Smokin' (1971), That Nigger's Crazy (1974), ... (1975), Bicentennial Nigger (1976), Richard Pryor: Live in Concert (1979), Richard Pryor: Live on the Sunset Strip (1982), and Richard Pryor: Here and Now (1983).As an actor, he starred mainly in comedies such as Silver Streak (1976), but occasionally in dramas, such as Paul Schrader's Blue Collar (1978), or action films, such as Superman III (1983).

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