Whiting davis mesh dating of

Even more lavishly enticing were mesh bags adorned with a border of metal drops.The drops came in assorted shapes (round, flat, teardrop, ovoid, and bullet) and could be coupled with fringe, or used by themselves.Sometimes, change could be as simple as a variation in frame (W & D frame patterns eventually totaled over 1200).Popular variations included the “dome” or “cathedral” frame, introduced in the early 1920s; the dome arch gave bags greater depth, and allowed the mesh to drape more gracefully.The firm even ran an ad campaign in homemaking magazines with a coupon readers could fill out and return.Forwarded to clueless gift-givers, “this subtle, but helpful suggestion will tell him what you really want,” allowing the lucky Whiting & Davis gift recipient to “walk hand in hand with fashion”.However, the mesh handbag craze took off with the 1909 invention of the “automatic mesh-making machine”.Previously, ring mesh had been linked by hand – a process both tedious and expensive, as a mesh bag can contain up to 100,000 links.

Trumpeted as “bags to delight all who love beautiful things”, these are among the firm’s most appealing and skillful designs.

Even at the time, Whiting & Davis bags were considered high-end: in 1923, a sterling silver Delysia was offered at the then-amazing .

Because of this, W & D bags were heavily marketed in women’s magazines and jewelers’ catalogs as the ideal “special occasion” gift: just the right thing to provide treasured wedding, anniversary, or graduation memories.

With automation, mesh bags were now within buying reach of the general public.

Whiting & Davis purse production reached its height during the Art Deco years of the 1920s and ë30s, and many bags reflect visual themes of the era.

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